Fantasy Review Barn
The novella prequel to this book, 'The Girl With No Name', was hugely entertaining, a charming fairytale which was anything but traditional, with a nice line in humour and, for its short length, a surprising number of delightfully unexpected twists along the way. This is a full length (albeit still fairly short) novel in similar style, which somehow fell a bit flat for me. Maybe the charm of the novella just doesn't scale up, or maybe my grumpy pre-Christmas mood is at fault, but somehow the whimsy failed to enchant, the writing seemed less light and the humour was sprinkled too thinly, like a pizza with too little cheese.
Partly this is because of the rather old-fashioned writing style. Contractions (like 'can't' and 'don't') are avoided, every action is described in detail even when a character isn't doing anything interesting at all, and although there are various point of view characters, the author merrily tells us what everyone is thinking or feeling. There's nothing at all wrong with this, and I daresay for a fairy tale it's appropriate, but I much prefer a tighter writing style.
So here's the premise. There's a princess and a couple of princes and a magician's apprentice, there's an evil villain, there's a land where nobody has magic and a land where almost everybody has it. And there are winged unicorns, which (rather cutely) aren't necessarily able to fly properly, sometimes they just bounce a little as they run, like a plane on a particularly bumpy runway. There's a royal wedding and a kidnapping and an array of monsters to be faced. All good fun, although sometimes things got a little predictable. I liked that the princess was a smart cookie and able to get herself out of awkward scrapes. I disliked that too often things happened purely by chance, and she was saved by some lucky event.
The best character by far is the magician's apprentice, Phillip. Phillip? In a fairy tale? Erm, yes. The names in this story aren't really the best. Some characters have sensible fantasy-sounding names (Neithan, Kaleb, Sargon) and some have weird names (Seventh Night) and some have terrible names (the poor girl with no name from the prequel, who finally acquires a name half way through this book, and it's surely the worst name ever; and no, you'll have to read the book to find out what it is).
But then, just when I was preparing my oh-dear summary in my head, things took off, became charmingly unpredictable and ended with one of those wonderful moments that brighter people than I probably saw coming a mile away, but for me it came out of nowhere and just blew me away. So three stars for the slightly pedestrian air of the first three quarters, five stars for the brilliant ending, so an average of four stars.